
Via Professor Benjamin and http://youlookmarvelous.tumblr.com/...
LESS STUFF = MORE
Bonnie Russell, a legal publicist in Del Mar, Calif., shares that attitude. “I feel a great relief at cleaning out my closet to donate to the less fortunate and not replacing things,” she says. Part of Ms. Russell’s decision to pare down and share with others had its roots in what she calls “good, old-fashioned guilt.” As she read news stories about people having less, “I realized I’m sitting around plenty of unnecessary things,” she says. “One day I looked around and realized I didn’t want to have a life of stuff. I wanted to have a life of experiences.” One recipient of Russell’s generosity stands on a street corner near her home to look for work. “He’s there at 7 a.m., six days a week, and has helped with handyman chores for years. I give clothes and other things to him directly because I know they’re more apt to find a thankful or needed home.”


Initiated by Sambo Mockbee, the mission of the Rural Studio is to enable each participating student to cross the threshold of misconceived opinions to create/design/build and to allow students to put their educational values to work as citizens of a community. The Rural Studio seeks solutions to the needs of the community within the community’s own context, not from outside it. Abstract ideas based upon knowledge and study are transformed into workable solutions forged by real human contact, personal realization, and a gained appreciation for the culture.

Cleveland Public Library
Sunday, Feb. 22
2PM
325 Superior Ave. N.E.
Cleveland, OH 44114
Flint Public Library
Monday, Feb. 23
7PM
1026 E. Kearsley St.
Flint, MI 48502
Kalamazoo Public Library
Tuesday, Feb. 24
6:30PM
315 S. Rose St.
Kalamazoo, MI 49007




January 27, 1854(From This Date, From Henry Thoreau's Journal, an excellent Thoreau blog.)
Cut this afternoon a cake of ice out of Walden and brought it home in a pail, another from the river, and got a third, a piece of last year’s ice from Sam Barrett’s Pond, at Brown’s ice-house, and placed them side by side. These lumps are not large enough to show the color. Walden ice has a green tint close by, but is distinguished by its blueness at a distance. The river ice inclines to a more opaque white. Comparing the lumps, Walden ice was, you might say, more crystalline than the river, but both showed the effect of heat more than the Barrett ice of last year, the bubbles being very much elongated and advanced toward the honeycomb stage, while in the Barrett ice they were spherical and there were wide clear spaces. This looked as if it would keep best.

1 Boiled Oysters Malloy (owner of the Ruins saloon)
2 Dan the Dude (owner Stag Cafe)
3 Will Fox (piano player at Gombossy's Crystal Palice, who played wearing boxing gloves)
4 Diamond Dan O'Rourke (owner of a self-named bar)
5 Silver Dollar Smith (self-named bar on Essex Street)
6 Mock Duck (Chinese gangster, circa 1900, wore chain mail, wielded hatchet)
7 Slippery Johnny Leipziger (random crook, fun name to say)
8 Blonde Madge Davenport (prostitute who killed herself at McGurk's Suicide Hall)
10 Big Mame (also tried to off herself at McGurk's, ended up only permanently scarring her face with carbolic acid)
11 Chick Tricker (owner of the saloon Chick Tricker's Flea Bag)
12 Scotchy Lavelle (pirate turned saloon owner)
13 Johnny Basketball (rough who attended a 1940s Bowery ball)
14 Bridgie Webber (owner of San Souci Music Hall)
15 Johnny Camphene (bar owner who served varnish solvent as a liqueur)
16 One-Armed Charley (bouncer at the Hole-In-The-Wall)
17 Sheeny Mike Kurtz (member of the Dutch Mob, front for a pickpocket gang)
18 Mallet Murphy (owner of self-titled bar, wielding a mallet on wily customers)
19 Humpty Jackson (hunchback gang leader, headquarterd at a now vanished Lower East Side graveyard)
20 Lobster Kid (one of Humpty's gang members)
21 Johnny Spanish (ruffian known for carrying a minimum of four revolvers at a time)
22 One Lung Curran (specialist in stealing the coats of police officers)
23 Happy Jack Mulraney (whose facial rictus kept a frozen smile on his face)
24 Paddy the Priest (murdered by Happy Jack for mocking him)
25 Ding Dong (leader of a phalanx of children crooks)

If you paid people $40,000 a year with full benefits including health care, that bonus money would have paid 306,667 people for a year.
Do you wince when you hear a Washington insider or a Wall Streeter refer to "ordinary people"? I do.
I guess those who call us ordinary people must be "special people." They have the power to reach into our pockets for taxes or fees or to control some of our conduct.
It seems that the folks in charge either ignore or take advantage of ordinary people.
Take health care. Members of Congress have a great government-funded program. Congress seems intent on debating endlessly whether health care should be privately or publicly insured, while about 40 million ordinary people go without.
Or taxes. Tom Daschle, nominated to be health policy chief, failed to pay some of his taxes. He used a company limousine for personal purposes, but did not consider it income, he said, because he had grown accustomed to such service when he was Senate majority leader. Daschle withdrew, partly because his tax problems looked so bad to ordinary people.
Or pay. President Obama says it is "shameful" that Wall Street execs were paid $18.4 billion in bonuses at the same time as hundreds of thousands of people were losing their jobs and Washington was pouring hundreds of billions of dollars into their financial institutions.
If you paid people $40,000 a year with full benefits including health care, that bonus money would have paid 306,667 people for a year.
Or bailout money. Most ordinary people run, or work in, small businesses and community banks or use them. They get no bailout or aid, because they never got into trouble.
Meanwhile the auto manufacturers, who stuck with gas guzzlers too long, and the financiers who conjured up housing schemes that collapsed, get help that will come largely from ordinary people.
Henry David Thoreau, as good a philosopher as America ever produced, once wrote: "The mass of men lead lives of quiet desperation." The mass of men and women are the ordinary people.
The special people may struggle to make things better for ordinary people, but their lives -- corporate jets, big bonuses, congressional perks -- are far from desperate. They seem to live in a cocoon of privilege and miss some simple things that could help.
The market's gone all soft and the world has gone all hard.

Last night before a benefit he was scheduled to participate in at a loft in Soho, the street artist known as Poster Boy was arrested by an undercover cop. Poster Boy was listed on a flyer for the event, a festival put on for Friends We Love, a series of videos documenting the process of a dozen different artists, including Poster Boy, who talked with us just last week.
Photographer Jim Kiernan tipped us off to the arrest. He arrived at event at Broadway and Howard Street to meet up with Poster Boy around 7 p.m., but police had already arrived after spotting the Poster Boy's name on the flyer. Kiernan says, "There was an undercover cop on the block and they came and picked him up. As far as I know, he's still in Central Booking right now and waiting to get in front of a judge...It's the second time they've gotten him."
Joichi Ito is the CEO of Creative Commons. He is a co-founder and board member of Digital Garage and the CEO of Neoteny. He is on the board of Technorati and helps run Technorati Japan. He is a Senior Visiting Researcher of Keio Research Institute at SFC in Japan

"Chriki", an African Pygmy Hedgehog faced the media and sunshine today at the Oregon Zoo. The little guy, whose name means "blessed" in Swahili, saw his shadow which in theory means that we have 6 more weeks of winter here in Portland. "Chriki" was held in the hands of David Bragdon, the Metro Council President, who explained that the old European tradition of weather prediction belonged to the hedgehog, but when early immigrants to the United States discovered there were no hedgehogs, they substituted the groundhog. Rob Finch/The Oregonian

But if the store is a gladiatorial arena, the elevator is, surprisingly, “a haven — an oasis of civility,” said Bernice Price, a neighborhood resident and elevator veteran. “People make a quick assessment of the spatial restrictions, and they help each other. There is a lot of silent communication. People don’t seem to push.”
After A Week, Thoreau owed $300 to the publishers, easily
several years’ income for him. To get out of debt, Thoreau manufactured a large order of pencils. (Thoreau and his family were well-known pencil makers.) However, in the time that he had been at the pond, the pencil market had been flooded with less expensive high-quality German pencils. Thoreau was forced to sell his pencils at a loss. He tried next to sell cranberries in New York; again, he misplayed the market. Finally he had handbills printed, advertising himself locally as a surveyor, a profession he would first use to clear his immediate debt and subsequently rely on for the rest of his life for income and for allowing him to see all of Concord and its environs at once more closely and more profitably. He took the copies of A Week himself, moving them into his parents’ house, 706 copies out of 1,000. “They are something more substantial than fame, as my back knows,” he wrote, “which has borne them up two flights of stairs to a place similar to that to which they trace their origin.” Thoreau could be haughty, of course, but he certainly knew how to be self-deprecating. “I now have a library of nearly nine hundred volumes, over seven hundred of which I wrote myself,” he wrote to a friend.
And yet the failures of A Week cleared the way for Walden, the way he’d cleared the brambles from his land at the pond in order to grow beans. In some way, A Week, the elegy, was about finding a way to nature, or a life based on some higher truth, but in A Week Thoreau never actually accesses nature—it’s a travelogue that never goes anywhere. “We were always passing some low inviting shore or some overhanging bank, on which, however, we never landed.” He had forgotten a lot of the lessons he learned while in New York about writing commercially. With Walden, he would attempt to access nature more directly and, in so doing, find a way to live better. Sometimes writers have to write things to exorcise them. With A Week, Thoreau had gotten his pure Transcendentalism out of his system. As it happened, A Week ends on a Friday, a smooth sail, the week ready to begin again. (Thoreau especially enjoyed this section, and referred to it on his deathbed.) Now Thoreau was set to begin again, or yet again. One of the things he discovered while writing A Week was that he wanted to delve deeper into the idea of nature as salvation, as opposed to Christ. “I feel that I draw nearest to understanding the great secret of my life in my closest intercourse with nature,” he wrote. He had gotten all mystical, living at the pond, at the same time that he had become more obsessed with transcribing the actual: the details of tree rings, the levels of rivers. His two year-stint at Walden pond had brought him to the definition of what he might have called a good life: “A life of equal simplicity and sincerity with nature, and in harmony with her grandeur and beauty.”
After Thoreau, career becomes a word and, sadly, it begins to gain on the word life, the way the Cardinals seems to be gaining on the Steelers.