The Thoreau You Don't Know by Robert Sullivan: If Thoreau Live Blogged the Oscars, 8

Thoreau is thought of primarily as a nature writer--the guy in the cabin in the woods. A lot of his writing, though, is about alternate histories. He looks thoroughly at the past. From The Thoreau You Don't Know:

If America was found and lost again once,” Thoreau wrote, “as most of us believe, then why not twice?” Walden calls us to jump out of the boat as we race over the falls of greater and greater materialism. Cape Cod is the book that looks back at the source of it all, that shows us we are not coming from where we thought we were coming from. Here Thoreau ends up looking less like a dead white male and more like the original alternative historian. Especially when it comes to Indians. A passage that stands out as forward- thinking, even by today’s standards, when it comes to Native American treaty rights, is this one, which is also funny, very Mark Twain (who was working as a printer when Thoreau wrote it):

When the committee from Plymouth had purchased the territory of Eastham of the Indians, “it was demanded, who laid claim to Billingsgate?” which was understood to be all that part of the Cape north of what they had purchased. “The answer was, there was not any who owned it. ‘Then,’ said the committee, ‘that land is ours.’ The Indians answered, that it was.” This was a remarkable assertion and admission. The Pilgrims appear to have regarded themselves as Not Any’s representatives. Perhaps this was the first instance of that quiet way of “speaking for” a place not yet occupied, or at least not improved as much as it may be, which their descendants have practicecd, and are still practicing so extensively. Not Any seems to have been the sole proprietor of all America before the Yankees. But history says, that when the Pilgrims had held the lands of Billingsgate many years, at length, “appeared an Indian, who styled himself Lieutenant Anthony,” who laid claim to them, and of him they bought them. Who knows but a Lieutenant Anthony may be knocking at the door of the White House some day? At any rate, I know that if you hold a thing unjustly, there will surely be the devil to pay at last.

Reasons that Thoreau is maybe more applicable to these troubling times than you may imagine

¶ He was living not in a peaceful time where he could just sit there and look at a pond but at a time of financial crisis, panics, even, when unemployment was first being recognized as a crisis, when people began to think that the economic system was broken—to wit, there were unemployed workers often living at Walden Pond.
¶ He was not just writing about butterflies (though he uses one to excellent, redemptive effect at Walden's end) but about how work was taking over our lives, how play was disappearing, how things like conversation were disappearing, along with sympathy, empathy and gratitude.
¶ He was very interested in gadgets, being an engineer himself--no technophobe--and living at a time of intense technological excitement.
¶ He was big on tunes, as in music, as in having a playlist, though in those days it was called a repertoire—he played a mean flute.

A Review

A mischievous reporter on the universe, Sullivan has found beauty in a notorious swamp in The Meadowlands (1998) and wisdom in an alley in Rats (2004). In his latest slyly philosophical inquiry, he endeavors to free Henry David Thoreau from his calcified reputation as a cantankerous hermit and nature worshipper. Sounding like your favorite teacher who manages to make history fun and relevant, Sullivan vibrantly portrays the sage of Walden as a geeky, curious, compassionate fellow of high intelligence and deep feelings who loved company, music, and long walks. An exceptional writer mad for puns, Thoreau
was also a bold social critic and—the crux of Sullivan’s stimulating argument—a brilliant, tongue-incheek
humorist. Sullivan, himself plenty saucy, also elucidates Thoreau’s radical focus on “man’s
interaction with nature.” In command of a great diversity of fascinating material, Sullivan succinctly illuminates the striking parallels between Thoreau’s time and ours—foreclosures, lost jobs, and rapid technological change. Thoreau remains vital and valuable because of his acute observations, wit, and lyricism and his recognition that the “force of life is everywhere,” a perception even more essential now that the consequences of the societal choices Thoreau prophetically critiqued have reached staggering proportions.--Donna Seaman, in Booklist

More from the publisher:
Henry David Thoreau is one of those authors that readers think you know, even if they don’t. He’s the solitary curmudgeon with the shack out in the woods, the mystic worshipping solemnly in the quiet church of nature. He’s our national Natural Man, the prophet of environmentalism. But here Robert Sullivan—who himself has been called an “urban Thoreau” (New York Times Book Review) presents the Thoreau you don’t know: the activist, the organizer, the gregarious adventurer, the guy who likes to go camping with friends (even if they sometimes accidentally burn the woods down). Sullivan argues that Walden was a book intended to revive America, a communal work forever pigeonholed as a reclusive one, and that this misreading is at the heart of our troubled relationship with the environment today. Sullivan shows us not a lonely eccentric but a man in his growing village, a man who danced and sang, who worked throughout his short life at the family pencil-making business, and moved into his parents’ house after leaving Walden Pond, but always paid his father rent. Passionate yet whimsical, The Thoreau You Don’t Know asks us to re-examine our everyday relationship with the natural world, and one another.

The Thoreau You Don't Know by Robert Sullivan

If Thoreau Live Blogged the Oscars, 8

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