The Thoreau You Don't Know by Robert Sullivan: 02/28/09

A Big Wow

It has been very cold in Maine lately, as this report in the Boston Globe attests:

The coldest temperature ever recorded in Maine, a frigid 50 degrees below zero, was reached when a blast of Arctic air hit New England last month. The record is tied with a thermometer reading from 1933 in Bloomfield, Vermont for the coldest recorded temperature in New England history.

“It’s a big wow,” said Tony Sturey, a meteorologist at the National Weather Service office in Caribou, Maine. “It’s an incredible number, an insanely cold number.”

In January 1971, the country's lowest temperature ever recorded, 80 degrees below zero, was reached in Alaska. The lowest temperature on record in the continental US is 70 degrees below zero, measured in January 1954 in Montana. Maine's previous record of 48 degrees below was measured in 1925, also in mid-January.

January was a colder month than usual in many parts of Maine and New England. The record-breaking temperature was recorded the morning of January 16, after a mass of Arctic air plunged into Alaska and northern Canada, and traveled eastward into New England.

From Walden:

Once, in the winter, many years ago, when I had been cutting holes through the ice in order to catch pickerel, as I stepped ashore I tossed my axe back on to the ice, but, as if some evil genius had directed it, it slid four or five rods directly into one of the holes, where the water was twenty-five feet deep. Out of curiosity, I lay down on the ice and looked through the hole, until I saw the axe a little on one side, standing on its head, with its helve erect and gently swaying to and fro with the pulse of the pond; and there it might have stood erect and swaying till in the course of time the handle rotted off, if I had not disturbed it. Making another hole directly over it with an ice chisel which I had, and cutting down the longest birch which I could find in the neighborhood with my knife, I made a slip-noose, which I attached to its end, and, letting it down carefully, passed it over the knob of the handle, and drew it by a line along the birch, and so pulled the axe out again.

Photo Library of Congress--Fred Waters in Auto-Sleigh, between 1910 and 1915.

88 Keys Below W 4th

This is what we at The Thoreau You Don't Know are talking about, and it comes via Flicker as first spotted on Gothamist.

Like Conan O'Brien, Thoreau Went to Harvard

Like Conan O'Brien, Thoreau went to Harvard. In the New York Times Book Review this weekend, Jennifer Schuessler writes of Flannery O'Connor, who is the subject of a great book review by Joy Williams:

O’Connor never made the best-seller list, but she did catch the eye of the budding literary critics Tommy Lee Jones and Conan O’Brien, both of whom wrote Harvard undergraduate theses on her work. In his Class Day speech at Harvard in 2000, O’Brien described the awesome, kryptonite-like powers of his analysis: “I wrote a thesis: ‘Literary Progeria in the Works of Flannery O’Connor and William Faulkner.’ Let’s just say that, during my discussions with Pauly Shore, it doesn’t come up much. For three years after graduation I kept my thesis in the glove compartment of my car so I could show it to a policeman in case I was pulled over. License, registration, cultural exploration of the Man Child in ‘The Sound and the Fury.’ . . .” Jones, according to The Boston Globe, received cum laude honors for his opus. O’Brien’s thesis grade has apparently not been disclosed.

Also like Conan O'Brien, Thoreau was big on getting laughs out of his lecture audience, though today have lost their sense of humor when it comes to (a) Thoreau and (b) nature, among other things.
(Photo NYPL Digital archives here--New York's first known comedian.)

Available now from Robert Sullivan, the New York Times best selling author, and published by Harper. A description from the publisher:

What if Henry David Thoreau—America’s pioneering nature lover, the man who famously lived in a little house of his own construction—was actually pro-city rather than just a monkish introvert who wanted to be left alone in the woods? What if the man we think of as so serious and introspective was really a joker, a bit of clown, a kind of stand-up comic in his day? And what if the fact that he often went home to his family or into town for supper didn’t show him to be a cheater or a fraud as far as self-reliance goes? What if spending time with his friends and family—i.e., community—was his point all along?

Reasons that Thoreau is maybe more applicable to these troubling times than you may imagine

¶ He was living not in a peaceful time where he could just sit there and look at a pond but at a time of financial crisis, panics, even, when unemployment was first being recognized as a crisis, when people began to think that the economic system was broken—to wit, there were unemployed workers often living at Walden Pond.
¶ He was not just writing about butterflies (though he uses one to excellent, redemptive effect at Walden's end) but about how work was taking over our lives, how play was disappearing, how things like conversation were disappearing, along with sympathy, empathy and gratitude.
¶ He was very interested in gadgets, being an engineer himself--no technophobe--and living at a time of intense technological excitement.
¶ He was big on tunes, as in music, as in having a playlist, though in those days it was called a repertoire—he played a mean flute.

A Review

A mischievous reporter on the universe, Sullivan has found beauty in a notorious swamp in The Meadowlands (1998) and wisdom in an alley in Rats (2004). In his latest slyly philosophical inquiry, he endeavors to free Henry David Thoreau from his calcified reputation as a cantankerous hermit and nature worshipper. Sounding like your favorite teacher who manages to make history fun and relevant, Sullivan vibrantly portrays the sage of Walden as a geeky, curious, compassionate fellow of high intelligence and deep feelings who loved company, music, and long walks. An exceptional writer mad for puns, Thoreau
was also a bold social critic and—the crux of Sullivan’s stimulating argument—a brilliant, tongue-incheek
humorist. Sullivan, himself plenty saucy, also elucidates Thoreau’s radical focus on “man’s
interaction with nature.” In command of a great diversity of fascinating material, Sullivan succinctly illuminates the striking parallels between Thoreau’s time and ours—foreclosures, lost jobs, and rapid technological change. Thoreau remains vital and valuable because of his acute observations, wit, and lyricism and his recognition that the “force of life is everywhere,” a perception even more essential now that the consequences of the societal choices Thoreau prophetically critiqued have reached staggering proportions.--Donna Seaman, in Booklist

More from the publisher:
Henry David Thoreau is one of those authors that readers think you know, even if they don’t. He’s the solitary curmudgeon with the shack out in the woods, the mystic worshipping solemnly in the quiet church of nature. He’s our national Natural Man, the prophet of environmentalism. But here Robert Sullivan—who himself has been called an “urban Thoreau” (New York Times Book Review) presents the Thoreau you don’t know: the activist, the organizer, the gregarious adventurer, the guy who likes to go camping with friends (even if they sometimes accidentally burn the woods down). Sullivan argues that Walden was a book intended to revive America, a communal work forever pigeonholed as a reclusive one, and that this misreading is at the heart of our troubled relationship with the environment today. Sullivan shows us not a lonely eccentric but a man in his growing village, a man who danced and sang, who worked throughout his short life at the family pencil-making business, and moved into his parents’ house after leaving Walden Pond, but always paid his father rent. Passionate yet whimsical, The Thoreau You Don’t Know asks us to re-examine our everyday relationship with the natural world, and one another.