A Nineteenth Century Moment!

Is it just us here at the Thoreau You Don't Know or does it feel as if we are having a Nineteenth Century Moment? Thoreau, by the way, was critiquing farming methods when he wrote Walden. At the time, farms were growing less for local customers and more for people out of town, which he thought was a bad idea. (On the other hand, he exported pencils, until German competitors caused him to shift to graphite.) Anyway, look here:



Above is the photo from a recent Times report, below a photo seen on your number one Victorian clothing web site.

But wait--why stop?

Wildlife Patterns

From the Journal Human Nature, via Eric Etheridge's wordblog, The Thoreau You Don't Know notes this wildlife research:

This study investigated the use of mobile telephones by males and females in a public bar frequented by professional people. We found that, unlike women, men who possess mobile telephones more often publicly display them, and that these displays were related to the number of men in a social group, but not the number of women. This result was not due simply to a greater number of males who have telephones: we found an increase with male social group size in the proportion of available telephones that were on display. Similarly, there was a positive relationship between the number of visible telephones and the ratio of males to females. Our results further show that the increased display of telephones in groups with more males is not due to the ostensive function of these devices (i.e., the making and receiving of calls), although single males tended to use their phones more. We interpret these results within the framework of male-male competition, with males in larger group sizes functioning in an increasingly competitive environment. This competitive environment is suggested to be akin to a lek mating system in which males aggregate and actively display their qualities to females who assess males on a number of dimensions. We suggest that mobile telephones might be used by males as an indicator of their status and wealth (sensu �cultural ornaments�).

Photo Library of Congress

Bottlenecks

Click here for a bottle neck story that includes this line: "Researchers say there was a thirty percent drop in traffic congestion last year, the likely result of higher gas prices and higher unemployment." The story is about bottlenecks, not bottleneck slide guitar playing, seen below:

Walking

In the Times today, the mayor's plan to cut out traffic from Times Square is leaked, as is this from Thoreau's Journal, 1857:

... in the distant woods or fields, in unpretending sprout-lands or pastures tracked by rabbits, even in a bleak and, to most, cheerless day, like this, when a villager would be thinking of his inn, I come to myself, I once more feel myself grandly related, and that cold and solitude are friends of mine. I suppose that this value, in my case, is equivalent to what others get by churchgoing and prayer. I come home to my solitary woodland walk as the homesick go home. I thus dispose of the superfluous and see things as they are, grand and beautiful. I have told many that I walk every day about half the daylight, but I think they do not believe it.

Go feet (Photo NYPL.)

The Ecology of an Intersection

We at the Thoreau You Don't Know never tire of watching this, which reminds us of watching herds of animals on the Great Plains, or fish in a stream and so on:

Scramble from Sam Javanrouh on Vimeo.

Seeing the Wind

As readers of The Thoreau You Don't Know know, the staff of the The Thoreau You Don't Know is very interested in wind and windstorms, especially in the city--which is why we were elated to receive the following e-mail from an alert reader, in particular alert novelist Matthew Sharpe (Stories from the Tube, Nothing Is Terrible, The Sleeping Father, Jamestown), who came across this wind description from Charles Dickens, in Our Mutual Friend:

The grating wind sawed rather than blew; and as it sawed, the sawdust whirled about the sawpit. Every street was a sawpit, and there were no top-sawyers; every passenger was an under-sawyer, with the sawdust blinding him and choking him.

That mysterious paper currency which circulates in London when the wind blows gyrated here and there and everywhere. Whence can it come, whither can it go? It hangs on every bush, flutters in every tree, is caught flying by the electric wires, haunts every enclosure, drinks at every pump, cowers at every grating, shudders upon every plot of grass, seeks rest in vain behind the legions of iron rails.

Nice wind quote. (We put it in italics, because italics look windblown.) When the BBC did "Our Mutual Friend," they also ran a scholarly article archive, which can be found here. As far as Dickens and Thoreau goes: we are reminded of Dickens tour of The Five Points, the notorious so-called slum of New York City. (Photo NY Public Library Digital Collection.)

We am reminded that he liked to go slumming. We are reminded that the Five Points was exploding due to the sudden influx of immigrants, running from famine. We are reminded that Dickens did not have a lot of nice things to say about the Five Points residents, comparing them to the pigs.

Debauchery has made the very houses prematurely old. See how the rotten beams are tumbling down, and how the patched and broken windows seem to scowl dimly, like eyes that have been hurt in drunken frays. Many of those pigs live here. Do they ever wonder why their masters walk upright in lieu of going on all-fours? and why they talk instead of grunting?

We recall that Thoreau came to New York City the following year, living in Staten Island, and had some not nice things to say about the very same immigrants. Then he returned to Concord, MA, where there were also a lot of immigrants all of the sudden. In fact, Thoreau lived with some of the immigrants at Walden Pond, using party of a Irishman's shanty to build his house. Sometime after living at Walden, Thoreau's attitude changed. He began to have nice things to say about the immigrants--about their work habits, their fence building skills, their kids. In other words, Thoreau stayed loose; he was flexible. Kind of like Matthew Sharpe, seen here on the Today Show:

Visit msnbc.com for Breaking News, World News, and News about the Economy

In closing, note that one of the BBC's scholarly articles--Choi, Tina Young. "Completing the Circle: The Victorian Sanitary Movement, Our Mutual Friend, and Narrative Closure." A paper originally delivered at the Dickens Project Winter Conference, UC Davis, February 19-21, 1999--refers to the great English sanitarian Edwin Chadwick and says this:

Dickens's massive novels about urban life, such as Great Expectations and Bleak House, elaborate upon a similar conception of nationhood, where both narrative and nation, in spite of seeming novelistic excess with respect to characters and pages, actually exemplify remarkable economy. But his last complete novel, Our Mutual Friend, might provide the most fitting example of this emergent sense of nationhood, if only because here, Dickens overlays an almost Chadwickean vision of narrative and national closure with a pervading narrative thematic of sanitation, waste, and recovery.

Reception

The staff at the Thoreau You Don't Know wrote a piece in last week's New Yorker and then forgot to post it. It's about the signal, and your reception, and it raises either no questions at all or questions such as, Are you in a position to see and hear? Are you receiving the signal or any signal at all? Here is the Talk of the Town piece mentioned, and here is an excerpt:

The handoff of the White House seemed like a piece of cake next to America’s transition from analog to digital TV signal. With the White House, you switch residents but get a lot of the same stuff: podiums, helicopters, tour groups. With the switch that is officially taking place in television transmitters around the country starting this week, you could wind up with frame skipping, frozen screens, or, worse, nothing (as in snow). Bill Beam, the engineer in charge of the signal that WABC-TV sends off the Empire State Building, said recently, “We don’t know how it’s all going to wind up.” In the months leading up to the switchover, the city’s anxious cable- and dish-less citizens have been turning for answers to the Antenna King.

Lately, the Antenna King himself—a.k.a. Henry Langan—has not been in residence at the Antenna King headquarters, in the shadow of the Gowanus Expressway. Once, he ruled the rooftops of Brooklyn, Queens, Staten Island, and the Bronx, places where today there are still a few hundred thousand people using old-style antennas to watch “Dancing with the Stars.” (The relatively wide-open vistas of the outer boroughs make them antenna-friendly; Manhattan, by comparison, is practically terra incognita to the Antenna King, save for a few satellite dishes.) Steven Langan, Henry’s son, is in charge now. “I’m the Prince,” Steven said the other day, at the Antenna King showroom.

Here is an excellent report on the neighborhood in which the Antenna King resides, Brooklyn's Leif Ericson Corridor, as it is referred to at this most excellent site, Forgotten New York.

A Simple Meal

This comes, no pun intended, via the Daily Dish, and reminds me of how Thoreau used to say that if you cut your own wood (and he got this from a neighbor) then you would warm yourself three times: once when you cut it, again when you lugged it home, and finally when you burned it. If you were to ask the staff at The Thoreau You Don't Know what they thought of this video, then they would tell you that they think it is kind of beautiful.

Under the Streets

The other day, people were coming out from under the street, as they sometimes do, on Atlantic Avenue, in Brooklyn.

It reminded me of that old, old Superman film, the first Superman film, "Superman and the Mole Men."

The film was in black and white.

Here it is:

A good synopsis is here
What people were doing under Atlantic is here
And this is where they had been:

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From everyone on the Thoreau You Don't Know staff: Good night everybody!

(Illustration, NY Public Library Digital Archives, here.)

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If Thoreau were live blogging the Oscars, he might take a moment to note that an (excellent) film about the first openly gay elected official in California winning the best actor award for Sean Penn reminds him (Thoreau) that people are often wondering whether or not he (Thoreau) was gay. Thoreau is the kind of guy who always turns a question around. For Thoreau, the question might not be, Am I (Thoreau) gay? The question might be, What's up with 21st Century America that they are so concerned with who is gay? With how close your relationships are with those of the same sex? In Thoreau's day, there were intense male to male relationships that would now be labeled gay and maybe were and maybe weren't gay, a kind of moot point, given that they were good relationships. I am reminded of the fact that Lincoln, as a young legislator, answered an add for a roommate and shared a bed with the guy in Springfield for a while, no big deal. I guess the question is, Gay, not gay? What do you care? The question really is, Are you relating?

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I don't know what the Reader is about even; I have not seen it. The people I am watching the Oscars/Live blogging the Oscars pretending to be the Thoreau You Don't Know tell me it's about a woman and a boy and post-WWII Germany and him reading to her, or something along those lines. All I know is that Thoreau says this, in the opening section, entitled "Reading," in Walden:

WITH A LITTLE more deliberation in the choice of their pursuits, all men would perhaps become essentially students and observers, for certainly their nature and destiny are interesting to all alike. In accumulating property for ourselves or our posterity, in founding a family or a state, or acquiring fame even, we are mortal; but in dealing with truth we are immortal, and need fear no change nor accident. The oldest Egyptian or Hindoo philosopher raised a corner of the veil from the statue of the divinity; and still the trembling robe remains raised, and I gaze upon as fresh a glory as he did, since it was I in him that was then so bold, and it is he in me that now reviews the vision. No dust has settled on that robe; no time has elapsed since that divinity was revealed. That time which we really improve, or which is improvable, is neither past, present, nor future.

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If you are the Thoreau You Don't Know then you don't know if they will name Frost/Nixon for any awards this evening, but you feel compelled to mention, after seeing Paul Newman's picture in the pictures of actors who passed away this year, that Newman was on Nixon's enemies list. Newman was what Thoreau, in Civil Disobedience, described as a friction, that thing necessary for the proper functioning of a machine, in this case the machine of government. Just for fun, read to his name on this list, which can be found here and is below:

The original list of 20 names of White House "enemies" submitted with comments submitted with comments to Dean by the of office of Charles W. Colson.*

Boldface type indicates a correction in erroneous White House identification of its political enemies. Material in brackets is additional information supplied by the editor.

Having studied the attached material and evaluated the recommendations for the discussed action, I believe you will find my list worthwhile for status. It is in priority order.

1. Arnold M. Picker, United Artists Corp., N.Y. Top Muskie fund raiser. Success here could be both debilitating and very embarrassing to the Muskie machine. If effort looks promising, both Ruth and David Picker should be programmed and then a follow through with United Artists.

2. Alexander E. Barkan, national director of A F.L.-C.I.O.'s committee on Political Education, Washington D.C.: Without a doubt the most powerful political force programmed against us in 1968 ($10 million, 4.6 million votes, 115 million pamphlets, 176,000 workers--all programmed by Barkan's C.O.P.E.--so says Teddy White in "The Making of the President 1968"). We can expect the same effort this time. [See p. 468E3]

3. Ed Guthman, managing editor, Los Angeles Times [national editor]: Guthman, former Kennedy aide, was a highly sophisticated hatchetman against us in '68. It is obvious he is the prime mover behind the current Key Biscayne effort. It is time to give him the message.

4. Maxwell Dane, Doyle, Dane and Bernbach, N.Y.: The top Democratic advertising firm--they destroyed Goldwater in '64. They should be hit hard starting with Dane.

5. Charles Dyson, Dyson-Kissner Corp., N.Y.: Dyson and Larry O'Brien were close business associates after '68. Dyson has huge business holdings and is presently deeply involved in the Businessmen's Educational Fund which bankrolls a national radio network of five-minute programs--anti-Nixon in character.

6. Howard Stein, Dreyfus Corp., N.Y.: Heaviest contributor to McCarthy in '68. If McCarthy goes, will do the same in '72. If not, Lindsay or McGovern will receive the funds.

7. Allard Lowenstein, Long Island, N.Y.: Guiding force behind the 18-year-old "Dump Nixon" vote campaign.

8. Morton Halperin, leading executive at Common Cause: A scandal would be most helpful here. (A consultant for Common Cause in February-March 1971)[On staff of Brookings Institution]

9. Leonard Woodcock, UAW, Detroit, Mich.: No comments necessary.

10. S. Sterling Munro Jr., Sen. [Henry M.] Jackson's aide, Silver Spring, Md.: We should give him a try. Positive results would stick a pin in Jackson's white hat.

11. Bernard T. Feld, president, Council for a Livable World: Heavy far left funding. They will program an "all court press" against us in'72.

12. Sidney Davidoff, New York City, [New York City Mayor John V.] Lindsay's top personal aide: a first class S.O.B., wheeler-dealer and suspected bagman. Positive results would really shake the Lindsay camp and Lindsay's plans to capture youth vote. Davidoff in charge.

13. John Conyers, congressman, Detroit: Coming on fast. Emerging as a leading black anti-Nixon spokesman. Has known weakness for white females.

14. Samuel M. Lambert, president, National Education Association: Has taken us on vis-a-vis federal aid to parochial schools--a '72 issue.

15. Stewart Rawlings Mott, Mott Associates, N.Y.: Nothing but big money for radic-lib candidates.

16. Ronald Dellums, congressman, Calif.: Had extensive [Edward M. Kennedy] EMK-Tunney support in his election bid. Success might help in California next year.

17. Daniel Schorr, Columbia Broadcasting System, Washington: A real media enemy.

18. S. Harrison Dogole, Philadelphia, Pa.: President of Globe Security Systems--fourth largest private detective agency in U.S. Heavy Humphrey contributor. Could program his agency against us.

19. Paul Newman, Calif.: Radic-lib causes. Heavy McCarthy involvement '68. Used effectively in nation wide T.V. commercials.'72 involvement certain.

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Speaking of scores... From the South Florida Classical Review:
For most of his lifetime, Charles Ives was regarded as something of a benighted crank.

The Danbury, Connecticut, native was successful in the insurance business, but little of his music was known or performed while he was alive. In the 1950s and, largely, after his death, Ives’ stupefying originality and the innovative, experimental nature of his music were finally recognized when he was championed by Leonard Bernstein and others.

And then this:

In addition to requiring a pianist who can handle the fusillade of notes, the sonata also calls for a flute in the concluding Thoreau movement, and, in some editions, a viola in Emerson, which Denk believes is a too-literal misinterpretation of Ives merely asking for a viola sound. “I don’t think even Ives was perverse enough to put a viola in a piano sonata.”

Here's some from Ives.

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Philip Petit won! Or the documentary that is about his tightrope walk between the towers of the World Trade Center, the now-gone Twin Towers. Tight rope walking, just after Thoreau died, at the turn of the century, was a national obsession, according to a book I read and enjoyed by Ginger Strand.

Strand goes from being dismissive of the stunts the falls inspire to being appreciative of their meaning. Blondin, né Jean-François Gravelet, the famous aerialist who high-wired back and forth to Canada in 1859 and 1860, becomes for Strand emblematic of the national balancing act for a nation that was on the verge of civil war — Niagara was a last stop on the Underground Railroad. Blondin tightroped in shackles, which confused Strand at first. “But imagine magician David Copperfield putting on a show somewhere in the desert along the Mexican border. Imagine he gets Regis and Kelly to come and tape segments of the show in which he builds a wall and makes someone disappear on one side of the wall and reappear on the other.” In 1905, W. E. B. Du Bois and Mary Talbert convened a group of African-American intellectuals on the American side of the falls and, after being denied a hotel room, crossed into Canada, where they began the Niagara Movement, which eventually became the N.A.A.C.P.

Once, Petit was quoted in Newsweek as saying: "I never fall," he says, "but, yes, I have landed on the earth many, many times." This is very Thoreau. Petit rules!
A live news report here.
(Photo above, of Petit's signature on Trade Tower, by Brian Rose.)

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Thoreau is thought of primarily as a nature writer--the guy in the cabin in the woods. A lot of his writing, though, is about alternate histories. He looks thoroughly at the past. From The Thoreau You Don't Know:

If America was found and lost again once,” Thoreau wrote, “as most of us believe, then why not twice?” Walden calls us to jump out of the boat as we race over the falls of greater and greater materialism. Cape Cod is the book that looks back at the source of it all, that shows us we are not coming from where we thought we were coming from. Here Thoreau ends up looking less like a dead white male and more like the original alternative historian. Especially when it comes to Indians. A passage that stands out as forward- thinking, even by today’s standards, when it comes to Native American treaty rights, is this one, which is also funny, very Mark Twain (who was working as a printer when Thoreau wrote it):

When the committee from Plymouth had purchased the territory of Eastham of the Indians, “it was demanded, who laid claim to Billingsgate?” which was understood to be all that part of the Cape north of what they had purchased. “The answer was, there was not any who owned it. ‘Then,’ said the committee, ‘that land is ours.’ The Indians answered, that it was.” This was a remarkable assertion and admission. The Pilgrims appear to have regarded themselves as Not Any’s representatives. Perhaps this was the first instance of that quiet way of “speaking for” a place not yet occupied, or at least not improved as much as it may be, which their descendants have practicecd, and are still practicing so extensively. Not Any seems to have been the sole proprietor of all America before the Yankees. But history says, that when the Pilgrims had held the lands of Billingsgate many years, at length, “appeared an Indian, who styled himself Lieutenant Anthony,” who laid claim to them, and of him they bought them. Who knows but a Lieutenant Anthony may be knocking at the door of the White House some day? At any rate, I know that if you hold a thing unjustly, there will surely be the devil to pay at last.

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The Letterman interview with Joaquin Phoenix was just spoofed, as Thoreau would have seen:

This reminds me of reading the New York Times today, and seeing an editorial call him a "prig." I think that when we call him a prig we run the risk of commenting less on the guy we are calling a prig and more on ourselves.

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Say Thoreau were watching the Oscars tonight. He would be a little bored by now, and getting up to get another glass of something. The photo above (Library of Congress, by Russell Lee, and taken in 1939 or 40, of an orchestra during intermission at square dance in McIntosh County, Oklahoma

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Steve Martin just handed out an award. Best screenplay. Steve Martin plays the banjo—a clip:

A great banjo book that Thoreau would definitely have and would not doubt peruse were he watching the Oscars now would be Philip Gura's banjo book, America's Instrument. Gura, of course, won not an Oscar but a National Book Award last year for his book on the Trancendentalists--a book that put the transcendentalists back in a good place, as pre-1960s radicals, as opposed to the place that they have been in for a long while, which was a dusty place, a place where people thought they weren't doing anything. Speaking of banjos, of tunes still learned by ear, as they were in Thoreau's time, there is great banjo here.

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If Thoreau saw Penelope Cruz win the best supporting actress award, he might have thought about Woody Allen as an artist who has been called too parochial--writing about just one town, one set of people, which is not true, or no longer true, especially given that the movie that she just won for was set in Barcelona. Of course, that's what Thoreau did. There's a lot to that. Why do people have a problem with that? Says H.D.T.:

We are acquainted with the mere pellicle of the globe on which we live.