The Thoreau You Don't Know by Robert Sullivan: Keeping Up With the (Homeless) Joneses

OK, now I have seen it all: people who have homes are upset that people without homes are allowed to live in the expensive homes that did not sell because they were too expensive. Follow that? Yes, the homeless have been allowed to live in condos and the neighbors aren't happy. The homeless don't deserve this, says a neighbor:

To walk over there and see that folks in a shelter are living better than we are, it's not fair.

It used to be that people were against shelters on their street because the shelters were unattractive, the homeless homeless. Now, the argument is that the shelter was snuck in. But the shelter is a luxury condo--was a luxury condo snuck in? Does this mean people will be more wary of luxury condos? Does this mean that people will hope non-luxury shelters will be sought out in gentrifying neighborhoods? It's complicated.

Can't we just be pleased that someone got some people who needed help a place to stay?

Reasons that Thoreau is maybe more applicable to these troubling times than you may imagine

¶ He was living not in a peaceful time where he could just sit there and look at a pond but at a time of financial crisis, panics, even, when unemployment was first being recognized as a crisis, when people began to think that the economic system was broken—to wit, there were unemployed workers often living at Walden Pond.
¶ He was not just writing about butterflies (though he uses one to excellent, redemptive effect at Walden's end) but about how work was taking over our lives, how play was disappearing, how things like conversation were disappearing, along with sympathy, empathy and gratitude.
¶ He was very interested in gadgets, being an engineer himself--no technophobe--and living at a time of intense technological excitement.
¶ He was big on tunes, as in music, as in having a playlist, though in those days it was called a repertoire—he played a mean flute.

A Review

A mischievous reporter on the universe, Sullivan has found beauty in a notorious swamp in The Meadowlands (1998) and wisdom in an alley in Rats (2004). In his latest slyly philosophical inquiry, he endeavors to free Henry David Thoreau from his calcified reputation as a cantankerous hermit and nature worshipper. Sounding like your favorite teacher who manages to make history fun and relevant, Sullivan vibrantly portrays the sage of Walden as a geeky, curious, compassionate fellow of high intelligence and deep feelings who loved company, music, and long walks. An exceptional writer mad for puns, Thoreau
was also a bold social critic and—the crux of Sullivan’s stimulating argument—a brilliant, tongue-incheek
humorist. Sullivan, himself plenty saucy, also elucidates Thoreau’s radical focus on “man’s
interaction with nature.” In command of a great diversity of fascinating material, Sullivan succinctly illuminates the striking parallels between Thoreau’s time and ours—foreclosures, lost jobs, and rapid technological change. Thoreau remains vital and valuable because of his acute observations, wit, and lyricism and his recognition that the “force of life is everywhere,” a perception even more essential now that the consequences of the societal choices Thoreau prophetically critiqued have reached staggering proportions.--Donna Seaman, in Booklist

More from the publisher:
Henry David Thoreau is one of those authors that readers think you know, even if they don’t. He’s the solitary curmudgeon with the shack out in the woods, the mystic worshipping solemnly in the quiet church of nature. He’s our national Natural Man, the prophet of environmentalism. But here Robert Sullivan—who himself has been called an “urban Thoreau” (New York Times Book Review) presents the Thoreau you don’t know: the activist, the organizer, the gregarious adventurer, the guy who likes to go camping with friends (even if they sometimes accidentally burn the woods down). Sullivan argues that Walden was a book intended to revive America, a communal work forever pigeonholed as a reclusive one, and that this misreading is at the heart of our troubled relationship with the environment today. Sullivan shows us not a lonely eccentric but a man in his growing village, a man who danced and sang, who worked throughout his short life at the family pencil-making business, and moved into his parents’ house after leaving Walden Pond, but always paid his father rent. Passionate yet whimsical, The Thoreau You Don’t Know asks us to re-examine our everyday relationship with the natural world, and one another.

The Thoreau You Don't Know by Robert Sullivan

Keeping Up With the (Homeless) Joneses

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