The Thoreau You Don't Know by Robert Sullivan: The Clothes That Got Away

This afternoon, the staff of the Thoreau You Don't Know, on break, stepped outside to happen upon this rack of clothes, which is not just any rack of clothes but a rack of clothes at a dry cleaners—a rack of clothes, in other words, that no one ever picked up, whether by accident or on purpose. It's almost to much to bear, the rack of clothes that no one picked up, by accident or on purposed. What were people thinking? What were these clothes to them? Nothing or everything, and they were, in the case of the latter, momentarily forgotten, or forgotten for the alloted three months, the time period in which one is typically required to remember clothes that mean at least something to them? Which reminds us of something that people always say about Thoreau, which is that he brought his clothes home every day, for washing, which is a problematic assertion in many ways, not the least of which, it paints a picture of the Thoreau You (Maybe) Know, which brings us to Richard Smith:

We’ve hear this comment many times: Thoreau was a hermit at Walden Pond. Of all the mythology and stories that surround Thoreau, this one story is the most persistent. And no matter how much Thoreauvians protest, the story continues to circulate. I even had a teacher say to me recently, “You know, Thoreau was a hypocrite – he told everyone he was a hermit, but he came home every day to get his laundry done!”
It should be obvious to anyone who’s read Walden that Thoreau was not a hermit. Just the chapter called “Visitors” is enough to put the myth to rest. So the question in my mind is not “Was he or was he not a hermit,” but how did the rumor start in the first place? In Walden itself, Thoreau declares, “I am naturally no hermit.” So if someone tells me Thoreau was a hermit, I'm inclined is to suspect that this person hasn’t read Walden very closely.

Reasons that Thoreau is maybe more applicable to these troubling times than you may imagine

¶ He was living not in a peaceful time where he could just sit there and look at a pond but at a time of financial crisis, panics, even, when unemployment was first being recognized as a crisis, when people began to think that the economic system was broken—to wit, there were unemployed workers often living at Walden Pond.
¶ He was not just writing about butterflies (though he uses one to excellent, redemptive effect at Walden's end) but about how work was taking over our lives, how play was disappearing, how things like conversation were disappearing, along with sympathy, empathy and gratitude.
¶ He was very interested in gadgets, being an engineer himself--no technophobe--and living at a time of intense technological excitement.
¶ He was big on tunes, as in music, as in having a playlist, though in those days it was called a repertoire—he played a mean flute.

A Review

A mischievous reporter on the universe, Sullivan has found beauty in a notorious swamp in The Meadowlands (1998) and wisdom in an alley in Rats (2004). In his latest slyly philosophical inquiry, he endeavors to free Henry David Thoreau from his calcified reputation as a cantankerous hermit and nature worshipper. Sounding like your favorite teacher who manages to make history fun and relevant, Sullivan vibrantly portrays the sage of Walden as a geeky, curious, compassionate fellow of high intelligence and deep feelings who loved company, music, and long walks. An exceptional writer mad for puns, Thoreau
was also a bold social critic and—the crux of Sullivan’s stimulating argument—a brilliant, tongue-incheek
humorist. Sullivan, himself plenty saucy, also elucidates Thoreau’s radical focus on “man’s
interaction with nature.” In command of a great diversity of fascinating material, Sullivan succinctly illuminates the striking parallels between Thoreau’s time and ours—foreclosures, lost jobs, and rapid technological change. Thoreau remains vital and valuable because of his acute observations, wit, and lyricism and his recognition that the “force of life is everywhere,” a perception even more essential now that the consequences of the societal choices Thoreau prophetically critiqued have reached staggering proportions.--Donna Seaman, in Booklist

More from the publisher:
Henry David Thoreau is one of those authors that readers think you know, even if they don’t. He’s the solitary curmudgeon with the shack out in the woods, the mystic worshipping solemnly in the quiet church of nature. He’s our national Natural Man, the prophet of environmentalism. But here Robert Sullivan—who himself has been called an “urban Thoreau” (New York Times Book Review) presents the Thoreau you don’t know: the activist, the organizer, the gregarious adventurer, the guy who likes to go camping with friends (even if they sometimes accidentally burn the woods down). Sullivan argues that Walden was a book intended to revive America, a communal work forever pigeonholed as a reclusive one, and that this misreading is at the heart of our troubled relationship with the environment today. Sullivan shows us not a lonely eccentric but a man in his growing village, a man who danced and sang, who worked throughout his short life at the family pencil-making business, and moved into his parents’ house after leaving Walden Pond, but always paid his father rent. Passionate yet whimsical, The Thoreau You Don’t Know asks us to re-examine our everyday relationship with the natural world, and one another.

The Thoreau You Don't Know by Robert Sullivan

The Clothes That Got Away

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